Nana

Cast

• 
  Dan Wolman Director
• 
  Katya Berger Nana
• 
  Jean-Pierre Aumont Muffat
• 
  Yehuda Efroni Steiner
• 
  Mandy Rice-Davies Sabine
• 
  Massimo Serato Faucherie
• 
  Debra Berger Satin
• 
  Shirin Taylor Zoe
• 
  Annie Belle Rennee
• 
  Paul Muller Xavier
• M
  Marcus Beresford Hector
• R
  Robert Bridges Fontan

Available Subtitles

English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文

Viewer comments

• best of the year🥉🥉 2026-09-19

  khy

• Real GoZzy 2025-10-16

  xxx

• Solomone Kone 2023-10-28

  Oh Cannon. You make an Emile Zola movie and it ends up being directed by Dan Wolman, who also made Up Your Anchor for Cannon and written by Marc Behm, who would write X-Ray for the studio. He also wrote the novel that Eye of the Beholder was made from, as well as The Beatles' Help! And the result ends up being the type of movie that winds up on our site. Katya Berger (who was in Absurd and is the daughter of William Berger; her half sister Debra is also in this and her resume is even more made up of movies that make our site, like Born for Hell, Emanuelle In Bangkok, The Inglorious Bastards and another Cannon film, Dangerously Close) starts as a girl who has no idea how to use her carnal abilities, yet is in a bordello, but by the end, she's destroying lives. Sleeping with bankers, dumping them for royalty, making counts act like human dogs, cucking them for their sons...what is this, a Joe D'Amato movie? The thing is, if D'Amato had made this, it would have been way better. Sure, this looks classy, but it forgets that if it wants to be a classy literate film, it shouldn't have so much nudity. Then it can't put together that if it wants to be sleaze, it's way slow and never really gets to the madness that a Mattei, a Franco, a Tinto Brass would remember. But hey! 1960s Profumo scandal figure Mandy Rice-Davies - who is also in Black Venus - and Annie Beale from House on the Edge of the Park and D'Amato's L'alcova are in this so it can't all be boring. Plus, it has Ennio Morric

• Floh Lehloka🥰 2023-10-28

  Nana (1982) was an "erotic" film that was loosely based upon the Emile Zola novel. I saw this film when I was in high school on pay cable during the late 80's. There was only a couple of scenes that made the movie enjoyable. The rest was pretty lame, tame and filler. I have to warn you that the movie is pretty "Euro" and some people will be turned off by the "realism" of the way women are shown in this movie. But if you love the "au natural" look, then you'll be in heaven. Today this film is pretty hard to find. I don't think that their was a strong demand for this film on video. But seriously, I wouldn't go out of my way searching for a copy. Okay, not thrilling. Just okay.

• prince oberoi 2023-10-28

  I'm into finding more obscure/less mainstream films to watch but this one didn't do it for me and the young age of the lead actress was already a red flag. But the fact that there's real-life incest of sorts that's glossed over shocks me even more so. Never watching this again.

• Arif Khatri 2023-10-28

  There was an interesting aspect of this film: Golan, Globus and Dan Wolman made two versions of this film. One was a PG version that they hoped to sell to T.V. and the R-Rated one that was filled with nudity. 18 year-old Katya Berger bares a lot of skin in this costume drama about a young Parisian lady who finds work at a burlesque club and then takes advantage of the perverts who come here. The film takes place in the 1880's yet one of the stars of the club has created movies. Not very exciting and very tame for today's standards. A turn-off in this film is the women who didn't shave under the arms. Ewww. Mandy Rice-Davies, who helped bring down the British Government years ago, appears in this film. Costume drama for completists or those who want to see a poor man's Brooke Shields.

• user8978976398452 2023-10-28

  This is my first time watching a film like this and I'm not sure what I was expecting--both more and less? The film seemed to be at most a sexual farce done in as a series of pretty tame soft * vignettes loosely held together by a rather clichéd plot line--the greedy Jezebel taking down every man who crosses her path. If this is some kind of take regarding female sexual power I definitely have mixed feelings about the way it is portrayed: On the one hand it plays every man as leering pervs only out for the own sexual satisfaction--yet helpless idiots in the face of her (apparently very young)faux innocence. In that regard they pretty much deserve what they get--but on the other hand she has no care for the consequences of her own greed or the men she uses (as they use her). It is hard to feel much of anything for any of the characters and that is likely the film's biggest failure. There is a strong undertone of pure hostility for both sexes in this film that is hard to miss and rather odd for a film outwardly celebrating sexual freedom. The strongest clue we get as to what is really going on is actually expressed by the main "wife" of the story when she disapprovingly says something along the line that our heroine is "one of those girls who actually enjoys...." you know. Apparently we are being lead to believe that every man falls at Nana's feet because they are totally sex-starved at home. So, ultimately everything that happens is the fault of wives who don't give their husb

• prince of the saiyans 2023-10-28

  source: Nana

• tik tok Gambia🇬🇲🇬 2023-10-28

  It states 'comic, drama'. I couldn't find anything comical in there. The setting is perfect, what one would expect from Zola. Acting by Katya Berger ... already difficult to judge. In itself it is naught; as Nana it does fit. A captivating narration by Zola about the 'fickle women' (Shakespeare). In this sense this movie deserves full marks. It shows a rather emotionless ascent of a woman, rather an adolescent, to what her attraction can get her. In this sense, close to full marks. On the other hand, if one perceives movie making as having a meaning beyond mere photographing, as analytic process, also displaying inner sentiments, doubts, motivators; this movie is a clear fail. Katya Berger as Nana just swirls around from scene to scene, until - sooner or later - her seemingly never reflected drive for more and more reaches its logic end. All in all, definitely deserving better than the current 4,4.